Exhibitions & Public Programs
Collective Correctives is a new public program presented in the form of an exercise. The exercise invites guests to present their work through the activity of collective editing. Our first guest, On/Off, is a Berlin-based architectural collective founded in 2012 as an experiment in collective practice. Using internet, meetings, emails and Skype, ON/OFF is now based in no-place and works everywhere.
Please join Materials & Applications, Los Angeles Poverty Department, and Rosten Woo for a round of mini-golf! “The Back 9” is a playable educational golf course about zoning and redevelopment politics in Downtown LA. Each hole of the course explores a different aspect of zoning and its political implications. The course in particular connects with the planned Downtown Los Angeles 2040 rezoning which will have dramatic effects on Skid Row.
M&A and 2426 SET present Scenarios and Simulated Environments, a one-day presentation by artists Kelly Loudenberg and Richard Wheeler, whose work and research focuses on simulating simulations. From violence to surveillance, their separate artistic practices investigate, re-articulate, and stage the exercises and environments that result from an increasingly militarized world in which new environments are manufactured and new genres of spaces are constructed
Los Angeles Department of City Planning's Bryan Eck and Tal Harari present the City's vision document and plans-in-progress for rezoning downtown with an emphasis on Skid Row. This is a special opportunity to learn more about what the City has planned so far and to give input to the process.
Who does it serve and why should you care? Zoning law regulates land use across the city, and shapes buildings, blocks, and whole neighborhoods. It can be a tool for preservation or for rapid physical and economic development. But how does it work? And why is it so controversial? This hands-on workshop will use games and activities that Rosten Woo has developed with The Center for Urban Pedagogy (CUP) and Dr. Pop to teach zoning fundamentals and explore the technical and ethical questions behind the laws of the land.
This workshop covers some of the fundamental elements that make up our culturally and socially enforced understanding of property rights in America: property rights as ownership, the mortgage, and property taxation.
What does community control look like? In the Trump Era, cities like Los Angeles, New York, and San Francisco have rushed to reassure that their governments intend to oppose new restrictive federal immigration policies and to reinforce their statuses as Sanctuary Cities. But as homeless sweeps and evictions continue to endanger communities of working class and people of color in these cities, we have to ask: what does "sanctuary" mean in the era of rampant gentrification?
How are your rights as a Los Angeles citizen, resident, and public body affected by zoning application? Zoning is not simply the regulation of land use and building codes. It's application as law also impacts individual and collective rights and services, private and public land ownership, and the social and political make-up of the city of Los Angeles.
M&A, Rosten Woo, and the LA Poverty Department (LAPD) present a two-month long series of public programs around questions of zoning and its application.
In and Out of Pictures is the closing event for the installation The Kid Gets out of the Picture. The installation is a collaboration between four practices that were given the task of re-creating the seminal elements of an English picturesque garden: a hill, a rock, a hut, and trees. The purpose of the symposium is two-fold: first, to propose a sustained parallel between the contemporary architectural moment and early 19th-century landscape design; and second, to sharpen the distinctions between varieties of practice that would include picture-making as a significant component of architectural labor.
From Above | Looking Down is a series of improvised scores that explore how to move with and through comfort. Drawing upon the performers' personal histories with their dance and movement practices and our political present, the piece shifts between the kinetic and the metaphoric, the individual and the collective, searching for ways to offer and receive comfort, care, and support.